GRAPHIC DESIGN

tuxedo GRAPHIC design

OPTIMISM & GRAPHIC

Design isn’t just seen; it’s felt. We build visions, not trends. Every curve and color is a strategic choice to trigger trust and eliminate cognitive friction. At Tuxedo, we don’t just design; we define.

Tuxedo Graphic Design helps businesses express their personality through thoughtful, high-impact visuals.Whether you’re launching a new brand or refreshing your identity, we design systems that feel memorable, consistent and easy to use —

online and offline.

joyful and memorable visuals that capture attention and build strong emotional connections.

📞 LET'S TALK ABOUT YOUR IDEAS

Funny packaging

Creative and playful packaging design combining illustration, character design and storytelling. Each concept is crafted to boost brand visibility, attract customers and create a memorable unboxing experience.

POP CULTURE Poster

Poster designs inspired by pop culture, storytelling and digital illustration. These visuals combine strong atmosphere, narrative depth and artistic technique to create high-impact promotional materials.

DTP Flyers & Books

Clear and professional print design for flyers, brochures, editorial layouts and books. Each project focuses on clean typography, readability and balanced composition to enhance the user’s reading experience.

Logotypes

Custom logo design crafted to represent the essence of a brand with clarity and originality. Each logo blends simplicity, symbolism and strategic thinking to strengthen brand identity.

Brand guidelines

Comprehensive brand identity guidelines covering logo usage, colour palettes, typography and layout rules. These systems ensure consistent communication and a strong, recognisable presence across all media.

Webdesign\UI-UX

User-centred web design and UI/UX projects focused on intuitive navigation, modern layout structures and visual coherence. Each digital interface is designed to improve user experience and reflect the brand’s values online.

Beer labels

A collection of label and beverage branding designs created to stand out on the shelf. Each label blends brand identity, product personality and visual appeal to strengthen recognition and consumer engagement.

Reliable Brands Can Be Joyful

Attractive things actually work better. By leveraging the principles of emotional ergonomics, we transform complexity into clarity.

We don’t just decorate your business; we build visual systems that trigger dopamine and boost memorability. By making your brand scientifically irresistible, we don’t just change your image—we shift the perception of your value. Research shows that people forget data, but they never forget how your brand made them feel. At Tuxedo, we use the “Science of a Smile” to turn fleeting views into lasting loyalty.

Vision Through Optimism.

Logotype and Brand Guidelines

Document layout design (DTP)

SOCIAL MEDIAS CONTENT anD TEMPLATES

Packaging, Labels, visualizations 3d/2D

Tuxedo is Art Design Happy

Tuxedo Studio is deeply connected to the creative world, both in Gdańsk and far beyond. My mission is not only to design, but also to shine a light on the talented artists who inspire us — whether they are based in the Tri-City, in France, or anywhere else in the world. Through our curated blog, readers can discover inspiring local creators, rising French artists, and international voices shaping today’s visual culture. By sharing their stories, Tuxedo aims to support creativity across borders and build bridges between artistic communities. I believe that great design grows from inspiration — and inspiration comes from everywhere.

Additionnally, WE offer Photosession for those of you needing a professional shooting for some event or some products

Archilecture

Reconstructing the City, Reconstructing Memory

Archilecture explores the relationship between photography, architecture, and memory. I approach the city as a fragmented organism shaped by historical layers and emotional resonances. In Poland, where I currently live, the post-Soviet urban landscape becomes a sensitive field of observation: housing blocks, courtyards, industrial typologies, and transitional spaces form the raw material of a visual narrative that oscillates between documentation, reconstruction, and imagination.

Based in the Gdańsk region after studying in France — where I obtained my Master’s degree (DNSEP) from the École des Beaux-Arts d’Angers (TALM) — I develop a practice situated between graphic design, photography, and artistic research. Living between two cultures shapes a double perspective: the familiarity of everyday life in Poland meets the distance of an observer coming from elsewhere. This geographic and symbolic displacement reshapes the way I perceive urban forms, collective memory, and spaces undergoing transformation.

My photographic assemblages draw from the industrial typologies of Bernd and Hilla Becher as well as the documentary impulse of Zofia Rydet and her Sociological Record. Like Rydet, I understand photography as an act of preservation — an attempt to hold on to what is vanishing. Yet in Archilecture, these fragments do not remain intact. They are deconstructed, rearranged, and recomposed into potential spaces, interior cities that reflect the tension between real territories and mental landscapes.

This practice of montage also resonates with the legacy of Soviet Constructivism — Rodchenko, Lissitzky — who envisioned the image as a dynamic architectural field. It further dialogues with the hyper-photomontages of Jean-François Rauzier, though in an inverted manner: instead of amplifying the density of the contemporary world, I reveal its repetitions, fractures, and ghosts. Polish architectural structures become units of memory — emotional modules that, once assembled, generate new narratives.

Ultimately, Archilecture seeks to make visible the way we internally inhabit cities. Reconstructing fragments of architecture becomes a way of reconstructing the self: a personal memory intertwined with a collective one, an intimate story layered onto a specific territory. In these reimagined landscapes, Poland appears not only as an urban context but also as an affective space where questions of heritage, disappearance, and reinvention continuously unfold.